Sorgavaasal Budget And Collection, Review, Cast, Story, Release Date, Hit or Flop, And More

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Sorgavaasal is a 2024 Tamil language prison drama that tells an emotional and intense story about justice and liberation. Directed by Siddharth Vishwanath in his film debut and produced by Swipe Right Studios along with Think Studios, the film offers a fresh and fascinating perspective on life inside prison walls.

The story is about a man who is sent to prison for a crime he committed. As he struggles to survive, the film raises an important question: Does prison really help people change, or does it make things worse?

The film has a strong cast led by RJ Balaji and Selvaraghavan with talented actors like Natarajan Subramaniam, Karunas, Samuel Abiola Robinson, Sania Ayyappan, Sharaf U Din and Balaji Shaktivel. Each actor brings depth and realism to the story.

Releasing in theaters on 29th November 2024, Sorgavaasal is a must watch for everyone who loves emotional and thought provoking films. It combines a powerful story, amazing performances and meaningful themes to create an unforgettable experience.

Sorgavaasal Movie Brief Overview

AspectDetails
TitleSorgavaasal
Release Date29 November 2024
LanguageTamil
CountryIndia
Directed bySidharth Vishwanath
Written byKrishnakumar
Produced bySiddharth Rao, Pallavi Singh
StarringRJ Balaji, Selvaraghavan
CinematographyPrince Anderson
Edited bySelva RK
Music byChristo Xavier
Production CompaniesSwipe Right Studios, Think Studios
Distributed byDream Warrior Pictures

Sorgavaasal Cast & Crew

ActorCharacter Name
RJ BalajiParthiban “Parthi”
SelvaraghavanSigamani “Siga”
Saniya IyappanRevathy
Sharaf U DheenSP Sunil Kumar
Balaji SakthivelBashir
Hakkim ShahTiger Mani
Natarajan SubramaniamIsmail
Ravi RaghavendraMohan
Santhana BharathiMinister
JayamaniTamil Nadu Home Minister
Antonythasan JesuthasanSeelan
KarunasKattabomman
Maurish DassRangu
Samuel Abiola RobinsonKendrick
Porkodi SenthilParthi’s mother
Kaka GopalParthi’s eatery worker
Aravind JanakiramanDr. Ravichandran
Param

Sorgavaasal Box Office Collection

DayIndia Net CollectionChange (+/-)
Day 1 [1st Friday]₹ 0.9 Cr rough data
Day 2 [1st Saturday]₹ 0.86 Cr rough data-4.44%
Day 3 [1st Sunday]₹ 1.07 Cr rough data24.42%
Day 4 [1st Monday]₹ 0.57 Cr rough data-46.73%
Day 5 [1st Tuesday]₹ 0.59 Cr rough data3.51%
Day 6 [1st Wednesday]₹ 0.52 Cr early estimates
Total₹ 4.51 Cr

Sorgavaasal Movie Review

Writing/Directing:

The narrative structure is a mix of high and low, with a documentary-style presentation that interrupts the flow of the storytelling. However, the interesting moments of the screenplay make it compelling enough to follow. The aim of the first act is to establish RJ Balaji as an innocent character, and this is effectively achieved with some elements that create sympathy for him. While the false accusations against him bring pity, the climax fails to deliver a sense of relief due to its half-baked execution. A highlight is the prison setup with well-rounded characters with dynamic backstories. These parts, though presented as animated visuals, feature admirable writing. The inclusion of an outsider’s perspective and the aspect of God adds depth, providing a unique look at the subject. Philosophical and political dialogues, especially on transgender issues, are distinguished for their bravery. The second half leans heavily on action, supported by solid drama, but the static narrative fails to drive the story forward. Despite being busy in parts, the film lacks the “wow” factor. Drawing parallels with Vada Chennai and Virumandi is not a problem, but the lack of emotional depth diminishes the impact of the loss portrayed.

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Performance:

RJ Balaji gives a decent performance that marks a marked improvement over his previous works, though his highly emotional scenes feel strained. Selvaraghavan’s role is interesting, and he handles many scenes convincingly, though he struggles with the action sequences and sports a strange hairstyle. The supporting cast, mostly newcomers, excel at bringing life to the scenes. Karuna adds value to the narrative, but the decision to make Nati a character suffering from acidity throughout the film feels random and unnecessary.

Technical:

The film has strong technical skills with exceptional cinematography which enhances the visual quality. The framing and lighting, especially in the night sequences, are excellent. The music, though satisfying, could have been more intense to enhance the storytelling. The editing aligns well with the chosen narrative style, maintaining the mood of the film. The action sequences are effective, adding to the raw authenticity of the scenes, although a few rope shots are less convincing.

Bottomline:

The film thrives on its intense sequences, keeping the audience engaged throughout. Vivid narration and better emotional refinement can enhance the experience. The final hour’s lack of compelling moments and excessive climaxes leave only a mediocre impression.

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